By Brad Munson (The Dark Multiverse of Stephen King)
The newest addition to the DC Cinematic Universe is a relentlessly madcap, ultra-violent super-dark, semi-humorous take on super-hero adventure and heroism in general. Some will love it. Some will walk away disappointed.
Make no mistake: Birds of Prey and the Fantabulous Emancipation of One Harley Quinn is going to make a ton of money, and in many ways it deserves to. This whacky whirlwind visit to Batman’s Gotham (with Batman barely mentioned and the Joker never entirely seen) is extremely well-made. The slightly hallucinatory production design is great; the action sequences, editing, and especially the sound track are terrific, and the acting–over-the-top though it may be–is expert, especially from Margot Robbie is Harley and a nearly unrecognizable Ewan McGregor as Black Mask (This is the guy from Doctor Sleep? And Star Wars? And Fargo? Really?)
But…Birds is going to hit every viewer a little differently, depending–maybe–on their generation, their expectations, and their tolerance for the whole superhero genre. That was certainly the case in the half-dozen viewers from SeFija! who saw a pre-release screening.
The story, underneath it all, is actually pretty simple: Harley Quinn breaks up with the the Joker, the super-villain and Batman arch-nemesis who made her crazy-evil, then immediately gets involved in a wild series of chases and fist fights to acquire a very important diamond that’s been found and lost and found again, all so she can be free of her dark past and start a new, equally nutty chapter in her life. But how the story is told, and all the new-to-most characters that are introduced along the way, struck our little movie squad–ranging in age and comics tolerance from early twenties and newbies to sixties and jaded as hell–as everything from delightful to repellant to even a tad bit boring.
The bam-bam-bam editing, the twisty camera angles, and the roller-coaster storytelling on top of this ‘simple’ tale–doubling back to re-tell sections of the adventure, breaking off to give backgrounders on various new characters, even taking a short break for a disturbing Marilyn Monroe-inspired dance dumber–can leave you breathless and/or annoyed. For some of us, it had the gleeful abandon of a Guy Ritchie movie, like Lock, Stock and Two Smoking Barrels or Snatch; for others, it was just puzzling and unnecessary. If you were a comics fan going in, it was fun to see these new versions of familiar characters like The Huntress, Black Canary, and Black Mask. We were the ones who reveled in the ‘secret’ knowledge that Detective Montoya might eventually become the masked detective called The Question (if she follows various comics continuities), and that another version of the rebellious young pickpocket Cassandra Cain is destined to become one of Batman’s protégés, a nearly silent super-stealthy bat-suited superhero called Orphan. But for the non-comics-geek, there are a lot of characters you’ve never heard of before ramming in and out of Birds of Prey, each with their own backstory by the last act, the whole thing can look pretty crowded and chaotic.
